Beyond Words

Maggie Taylor Yorkshire Artist
Maggie Taylor art on easel

Artist’s Statement

“Beyond Words” takes me on a journey, both physically and metaphorically. By crossing the Humber Bridge, walking its banks and by painting, I find a path towards processing grief. My work reflects my subjective feelings and a sense of absence. I seek a quiet stillness, a reflective mood, evocative of time and place. How do we deal with loss? I must go on, numbed, empty, changed. During my journey I have formed a strong connection with a figurehead I had seen, shipwrecked, lost and vulnerable. She moves through the landscape, embracing and embodying the images and then returns to the sea. Her story is felt rather than told and mirrors my own rite of passage.

My paintings are about water, voyages, landscape and people. Deep meanings and analogies arise. I use my work to communicate with myself and the viewer. Sometimes there is a process of rediscovery, selectively forgetting, treasuring memories that can be brought back to life. Time drifts in and out.  Although the experience can be magical, clear, and still, tensions arise through pictorial conflicts and an absent presence. Shadows take on a key role, floating, ephemeral, hazy, backlit, and encompassing, but always full of memories and longing. The past is gone, broken, and the future is mysterious. What does it hold? What can I endure, let go of and retain?

I have been influenced by theories about lines (Ingold, 2016), space (Massey, 2005) and memories (Schama, 1995). I have been moved by the words of Celia Paul (2019 and 2024) who writes eloquently about art and the processing of grief. I have examined the elusive and fugitive nature of shadows and what they can add to an image (Gombrich, 1995). In parallel, I have melded the formal elements of painting with my own vision and variations. I use composition to maximise the immense scale of the physical space, and line to emphasise perspective.  Often, I introduce diagonals, blank areas and erasure to shake things up and add tension. My palette is small, which complements the often wild and brutal northern landscape. I emphasise contrasts between light and dark tonal areas and use shadows selectively.

NOTE: My Exhibition “Beyond Words”, forms part of the online OCA MA in Fine Art 2026 Group Exhibition, “Five Seasons”, 20.08.2026 to 15.10.2026

Artworks displayed on this website may be for sale – please contact the artist.

All artworks are protected by copyright law.

Videos

My practice includes the taking of videos and photographs to catch a moment in time when I am in the landscape. I use them to remind me of how I felt and to recall the atmosphere of the place. They are an additional, but important, resource and support sketches and studies made at the time or in the studio.

RECENT WORKS 2026

My Exhibition, “Beyond Words” is the culmination of my research and practical work over a two-year period. The paintings below follow the emergence of my ideas through recent paintings. They focus on the Humber Bridge, its structural enormity, its form and line and what it feels like to be at the top. I trace the movement of shadows on the surface of the water and the barriers disappear, allowing space for my imagination to take hold. I then explore the landscape at the foot of the bridge – ponds, marshes, and industry. I go backwards and forwards in time. These thoughts lead me to make three conceptual works where I consider time itself as the Humber wears away its infrastructure. I then look beneath the ground and riverbed to envisage what histories may have been left behind. This thinking contributed to the outcomes in the “Beyond Words” Exhibition.

PAINTINGS

Maggie Taylor, At the Top, Shadows (1), 2026, oil on wooden board, 51cm x 41cm

Maggie Taylor, At the Top, Shadows (2), 2026, oil on wooden board, 41cm x 51cm

Maggie Taylor, Stride, 2026, oil on canvas 45.5 cm x 36cm (Inspired by Larkin P, Bridge for the Living, 1975)

Maggie Taylor, Harp, 2026, oil on canvas 45.5 cm x 36cm, 2026 (Inspired by Larkin P, Bridge for the Living, 1975)

Maggie Taylor, The Creek, 2026, oil on canvas, 56cm x 45cm

Maggie Taylor, Horizon, 2026, oil on canvas, 56cm x 45cm

Maggie Taylor, Through the Trees, 2026, oil on canvas, 56cm x 45cm

Maggie Taylor, Water Margin, 2026, oil on canvas, 56cm x 45cm

Maggie Taylor, Down the Road, 2026, oil on wooden panel, 51cm x 40cm

Maggie Taylor, Over the Hedge, 2026, oil on wooden panel, 51cm x 40cm

Maggie Taylor, Across the Marsh, 2026, oil on wooden panel, 51cm x 40cm

Maggie Taylor, Time, 2026, mezzotints with oil on canvas, 42cm x 30cm

Maggie Taylor, Tyche (land), 2026, mixed media, 42cm x 30cm

Maggie Taylor, Tyche (water), 2026, mixed media, 42cm x 30cm

VIEW FIRST EXHIBITION ARTWORK: DIALOGUE WITH WATER

Humber View, oil on wood, 30cm x 40cm

Paintings

Whilst exploring landscapes across the Humber Estuary and The North Country, Maggie has been building a wide portfolio. The collection has a particular energy which comes from her personal connection with the landscape and in which Maggie involves the viewer.

Star of Tasmania, etching on paper, 30cm x 20cm

Prints

Selection of recent limited edition prints. To view these and further recent work feel free to contact me